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divine comedy translation comparison

By Liliana Leuzzi | Dante's Commedia. Individuals with disabilities are Translations that attempt to maintain any type of rhyme scheme often sound forced and usually compromise the meaning of the text. by Dante Alighieri and Clive James. He's seeking absolution, redemption and certainty. Scam Advisory: Recent reports indicate that individuals are posing as the NEH on email and social media. And its hard enough to read Dante without throwing in the additional challenge of 19th-century poetic diction. These two lovers, condemned to an eternity in the Circle of the Lustful, pose a heart-wrenching questionone, as I wrote in my In a Dark Wood, that those of us who have lost our earthly loves know all too well: how do you love somebody without a body? But long before rehabilitating Thomas Cromwells reputation, Mantel was unparalleled in her crystalline dissections of power, whether between girls at the University of London or Dantonists in the French Revolution. Perhaps nowhere is this economy of expression more evident than in the justly celebrated canto of the star-crossed lovers, Francesca da Rimini and Paolo Malatesta. These breathtaking lines conclude Dante's Divine Comedy, a 14,000-line epic written in 1321 on the state of the soul after death. I'm a bit biased in favor of Sayers' translation, as that's the one that introduced me to Dante in the first place. While it is true that Rogerss translation is more faithful from a structural standpoint there are some instances in which such an adherence forces other content-related translation loss which is not present in Nortons. Any translation involves balancing the meaning, feel, and artistry of the work, normally at the expense of at least one of these qualities. Your email address will not be published. And thats the miracle of Dante: somehow his writing still makes sense seven centuries after it was conceived, so long as we manage to read slowly, between, behind, and around what he called his versi strani, strange verses. Love absolves no beloved from loving, she explains, adding: Love brought us to one death. " It took nearly five hundred years from Dante's death for there to be a translation of all three parts of the poem. Allen Mandelbaums translation goes like this: When I had journeyed half of our lifes way. But the miracle of literature is that its insights can somehow remain fresh and relevant centuries after they were written and far from where they first appeared. or complete the Report Accessibility Barrier or The Divine Comedy, Part 1: Hell (Penguin Classics) Paperback - June 30, 1950 by Dante Alighieri (Author), Dorothy L. Sayers (Translator, Introduction) 105 ratings See all formats and editions Paperback $16.00 Other new, used and collectible from $1.43 The first volume of Dante's Divine Comedy He did most of the translation work before becoming seriously ill, "but I could feel the end of my life coming. Lacqua chio prendo gi mai non si corse; The sea I sail has never yet been passed: Emulating Dantes talent for internal rhymes laced with hypnotic sonic patterns, Longfellow expertly repeats the ss to give his line a sinuous, propulsive feel, which is exactly what Dante aims for in his line, as he gestures toward the originality and joy of embarking on the final leg of a divinely sanctioned journey. Sponsored by Phi Beta Kappa Shortly thereafter, Beatrice died. "So there we were, actually duplicating the situation in the canto, because the two lovers are reading a book that's what brought them together. She may have only translated the Inferno Im not certain on that. Comment * document.getElementById("comment").setAttribute( "id", "a8f4a384ba33ac344b9ce9fe46addd00" );document.getElementById("dbe0089594").setAttribute( "id", "comment" ); Save my name, email, and website in this browser for the next time I comment. Mandelbaum: seen as the scholarly translation and is used in many university classes on The Divine Comedy but some consider it dry and unpoetic. Unlike the other author he supposedly shared the world with, Shakespeare, Dante was self-consciously scholarly and intellectual, filling his verses with allusions to ancient, biblical, and contemporary medieval writing, and tackling a range of theological, philosophical, political, and historical issues. To understand why Dante faints in Inferno 5, you have to realize just how surreal it was for him to hear Francesca cite the poetry of his youth, the words that helped make him poet and that hastened Francescas demise. While Rogers does not maintain a rhyme scheme, nor Dantes famous hendecasyllable structure per se, he does opt for using a classical English poetic meter, the iambic pentameter. Yes, it was the right time. I don't remember ever reading Mandelbaum but I believe my daughter used both Mandelbaum and Hollander in College and she preferred the Hollander. Prose translations are great for communicating the story and its nuances, however any poetical structure is lost. the Flesh. Touchstone (2006): 26-32. We'll go over the different features and what to look for when you're shopping. Charles Eliot Norton on the other hand wrote his translation in 1902 and decided on a completely different style opting for an almost prose-like version of the text. They also both have good notes (a necessity). James writes in the introduction to hisComedy, I wanted the rhyming words close enough together to be noticed. His devotion to language leads him in one direction, aiming even to end each book of theComedywith a couplet whose final word is stars, as Dante did. Alighieri Dante. These lines have the virtue of being faithful to the original content, and then the next line continues with a rhyme (The keening sound . So in order to get Dante, a translator has to be both a poet and a scholar, attuned to the poets vertiginous literary experimentalism as well as his superhuman grasp of cultural and intellectual history. New Jersey. "They're faithful, they're accurate, they're scholarly, but the actual raw poetic thrill of the verse doesn't get through, and that's what I think the translator must try to do if he or she can. The verse. By using LibraryThing you acknowledge that you have read and understand our, http://www.newyorker.com/arts/critics/books/2007/09/03/070903crbo_books_acocella, Dante; (Translators) Jean & Robert Hollander. We'll go over the different features and what to look for when you're shopping. In exile, he paid homage to his true love, Beatrice, and by choosing to write in his Tuscan vernacular instead of Latin, transformed the Italian language. His metered language often seems more natural than Sayers and more in keeping with the diction of Dante, which favored solid vocabulary and straight-forward syntax. It calls upon the reader to ask: What would be our personal hell? The others are in three line verses like the original. You can revive it by posting a reply. Her creative leap is to begin with the word stopped and end the third line with I was lost, emphasizing the predicament in the original and elaborating the image of the dark wood. Hardcover, 527 pages. We are experiencing technical difficulties. The content of Dantes writing presents an even bigger problem. Thus began Dantes famed journey, one that would take him through the depths of hell. Any other translations you'd like to recommend are fine with me. Mandelbaums astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. "Back in 1964, when we first knew each other in Florence, before we were married, there was a romantic scene by which she took me through the actual great love affair between Paolo and Francesca in Canto Five of 'Hell,' and showed me how the verse worked in Italian, because her Italian of course was perfect already and mine was rudimentary," he remembers. In comparing translations, you notice quickly if theres an attempt to duplicate Dantes terza rima, in which the first and third lines rhyme, and the second line rhymes with the first line of the following stanza. The Divine Comedy, translated by John D. Sinclair: This was recommended by a fellow reader on Twitter and I am so glad I bought the complete set. For more information about the Divine Comedy, view our Divine Comedy Page Enjoy! Jorge Luis Borges said that a modern novel requires hundreds of pages for us to get to know a character, while Dante can lay bare a characters soul in 20 or 30 lines. These things are always hard, choosing between manner and matter , Your email address will not be published. And I was so fascinated with what she told me, about how Dante's verse worked, that the idea never left me, that I should try to make my own poetry as interesting as that. Im using Allen Mandelbaums translation while writing my Masters thesis. Provide Feedback Form, Rutgers, The State University of When, out of nowhere, I heard: "Watch your step! Three passages are from the Inferno, one from Purgatory, and the last from Paradise. But the musicians performance doesnt look anything like a score; the two couldnt be any more different. Inferno, Canto I. Of what we call our life, I looked up and saw no sky. ", He calls the quatrains a "nice, easily flowing rhythmic grid on which to mount the individual moments. I heard it said: "Take heed how thou dost go. As a young man, Dante tried to woo a beautiful and devout Florentine girl of his own age. I agree, Dorothy Leigh Sayers translations are done wonderfully. I just went for the most heavily annotated versions of Purgatorio and Paradiso. Talking about a translators approach and methodology can help answer the question. gi volgeva il mio disio e l velle, And lo and behold, that's what we were doing. I heard a voice cry: "Watch which way you turn: I heard this said to me: "Watch how you pass; I heard a voice cry out, "Watch where you step! View all posts by Dave. The latest has been undertaken by a writer who is perhaps best known for his pointed and funny criticisms of culture. Translations that attempt to maintain any type of rhyme scheme often sound forced and usually compromise the meaning of the text. by the love that moves the sun and the other stars. Individuals Daymans translation reads When that we read so true-hearted/ Kissing the smile so coveted before,/ And he who wrotethat day we read no more which is a more romantic way of writing the story, and it feels to be more in the spirit of the source text. Because Dayman chose to maintain the terza rima, he had to form sentences with the same meaning in order to get the rhyme at the end of the line, maintaining the style, but losing faithfulness to the source text. Also included are forty-two drawings selected from Botticellis marvelous late-fifteenth-century series of illustrations.Translated in this edition by Allen Mandelbaum, The Divine Comedybegins in a shadowed forest on Good Friday in the year 1300. His translation of the Divine Comedy (especially Inferno and Purgatorio) is one of my favorite translations of anything. Longfellows English indeed comes across as Italianate: in surrendering to the letter and spirit of Dantes Tuscan, he loses the quirks and perks of his mother tongue. Report Accessibility Barrier or On the 750th birthday of Dante Alighiericomposer of the dizzyingly epic medieval poem the Divine ComedyEnglish professor John Kleiner pointed to one way of helping undergraduate students understand the Italian poet's importance: an "obvious comparison" with Shakespeare. Privacy Policy, Photo-illustration from Sandro Botticelli's portrait of Dante by Stephanie Bastek (Wikimedia Commons), Hilary Mantel, one of Britains most revered novelists, died last year at the age of 70. This provides the reader with the sounds of the original as well as Musa's translation, which captures the meaning but reads with a different spirit. For the straightforward pathway had been lost. By starting with Midway this way of life were bound upon, she remains faithful to the starting point, nel mezzo, while Mandelbaum pushes this to the middle of the first line. For more information about the Divine Comedy, view our Divine Comedy Page Enjoy! ", James' wife, Prudence Shaw, played a central role in the translation project. By Sergio M. Brattich | Dante's Commedia. - user66974. New Jersey, Report Accessibility Barrier or like a wheel in perfect motion, Sinclair's is a prose translation from the thirties. Michael Palmas 2003 translation ofInfernobegins this way: Midway through the journey of our life, I found. It's also a poetry translation, as opposed to prose translations. The Books Alexis Patterson Is Loving Right Now, 27 Childrens & YA Books Written by Asian Authors, Browse All Our Lists, Essays, and Interviews. That's why we've put together this ultimate guide to help you make a decision. Looking specifically at Canto V, we will examine that there are different methods that go into translation, as seen in the translations by Charles Rogers (1782) and John Dayman (1865). ", And that kind of interest is what most translators lack, James adds. . Report Accessibility Barrier or Charles Singletons translation for his understanding of textual nuance and its outstanding notes is strongly recommended. "If you're going to do it in English, you need, I think, another approach, and I used quatrains. The best translation I've found -- end to end -- is by John Ciardi. Breaking the poem down to its parts, getting to know the characters one or two at a time, learning the themes and language of these individual elements, can give you the traction to begin enjoying Dante and eventually take on his whole poem. So I'm interested in doing a first read of Dante Alighieri's La Divina Commedia and I'm not sure which English translation I should choose. And he said to me: "The whole shall be made known; And he: "All this will be made plain to you. That's the version I read and those bleak covers, Barry Moser ink washes, were ubiquitous in freshmen dorms. 12> I agree that Ciardi is the most readable. In other words: treat the poem as Dante the character treated his journey, something to be undertaken step by step. I wasn't aware of Benigni's TuttoDante -- sounds very interesting. Both translations by Rogers and Dayman, are kept in poem style. Both versions are vibrant and deal adroitly with some enigmatic aspects of the original text. io venni men cos com io morisse. with disabilities are encouraged to direct suggestions, comments, or complaints concerning any When I reconciled myself to that, I was off and running. In truth, some of the most sublime moments in The Divine Comedy, indeed in all of literature, occur after Dante makes his way out of the Infernos desolation. It can be overwhelming to see so many versions all lined up, spine to spine, along a shelf in a literary bookstore, or to scroll through pages and pages of different editions online. In the first place, shes not speaking to Dante in a natural voice; shes alluding to poetry. Available in two English translations as well as the original Italian on the EDSITEment-reviewed Digital Dante site, Dante's The Comedy (or "Divine Comedy") begins with lines that suggest it will be a pilgrimage of a rather different sort than the festive trip to Canterbury: "When I had journeyed half of our life's way, / I found myself . with Rutgers web sites to accessibility@rutgers.edu or complete the Report Accessibility Barrier or Out of the two I've read (Charles Sisson. The surprising historybehind the worlds most famous collection of folk tales. With six eyes did he weep, and down three chins. Although Roger chose to remain faithful to the source text, some lines were more poetically translated by Dayman. She is beloved for her sweeping Wolf Hall trilogy, for which she won two Booker Prizes. Which I still am. Translated by John Dayman, Longmans, Green, 1865. https://archive.org/details/divinecomedydan00daymgoog, Alighieri Dante. Taking a look at two translations that are 120 years apart can shed light on some of the differences that translators have used when interpreting this famously complex and intricate text. Dante wrote his masterpiece on the move, banned from Florence by political enemies. That link is to the hardcover that contains all three works, but even though that one is in my bookcase I never read it. accessibility issues with Rutgers web sites to accessibility@rutgers.edu The Divine Comedy is the most well-known piece in Italian literature. The Divine Comedy has a complex rhyme scheme that suits itself well to the rhyme-rich language of Italian (where, unlike English, many words end in vowels). The Divine Comedy is a 14th century poem that has never lost its edge. T. S. Eliot called such poetry the most beautiful ever writtenand yet so few of us have ever read it.

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